Well, I wish I had an interesting anecdote about this show, but all I recall is that Dean allowed me to shoot from the balcony which is reserved for bands, and that he was very gracious. Otherwise, I’ve got nothing. I am sure it was a good show, but coming off the casbah show the night before meant about 3 hours sleep for me, then this show. Enjoy! Filmed with Sony TR81 and stock mic. Check out the raging seated dinner theater crowd.
Recorded by: Shayne Stacy
Equipment Used: Sony TR81
Well, I wish I had an interesting anecdote about this show, but all I recall is that Dean allowed me to shoot from the blacony which is reserved for bands, and that he was very gracious. Otherwise, I’ve got nothing. I am sure it was a good show, but coming off the casbah show the night before meant about 3 hours sleep for me, then this show. ENjoy! Filmed with Sony TR81 and stock mic. Check out the raging seated dinner theater crowd.
Recorded by: Shayne Stacy
Equipment Used: Sony TR81
So, the last time I posted this, Youtube had a siezure and did not upload pt. 1… so I uploaded the entire thing this time. Thanks to Jim McLain for the vob joining tool. For Stanley Demeski and Pete Markall
Recorded by: Shayne Stacy
Additional help by: Jim McClain
So, the last time I posted this, Youtube had a siezure and did not upload pt. 1… so I uploaded the entire thing this time. Thanks to Jim McLain for the vob joining tool. For Stanley Demeski and Pete Markall
Recorded by: Shayne Stacy
Additional help by: Jim McClain
No description given
Recorded by: Shayne Stacy
My old Sony TR-81 was a great camcorder for its’ time- hi8 stereo recording and excellent low light capability.. but the stock microphone was horrible and would distort with any volume. I happened to record the Luna Casbah show with my DAT machine, and Derek Purtell has been kind enough to sync them together for me. Thanks also to Pete Markall for watching the DAT machine in the back, and being my go-to concert buddy in san diego!
Recorded by: Shayne Stacy
Equipment Used: Sony TR-81 camera, Sony TCD-D3 DAT & Nakamichi CM300 mic(I think)
It was strange. Every time I went to Bogart’s, something bizarre and memorable happened. One time, it was when Uncle Tupelo played there and broke their snare on the first song and had a huge delay waiting for another. Another time, it was Penelope Houston and meeting Todd Nakamine, and we have been friend ever since. Or this one- Dean Wareham mentions this show in his “Black Postcards” book, because a guy in the front row was so irritating that he agreed to fight at the end of the set. Like I said, bizarre. The vibe of the club just seemed to invite it.
Recorded by: Shayne Stacy
