Here is one that Zoran asked about- he filmed this show as well. This angle was filmed by Josh Parten. As with many of his videos, the audio is pretty distorted. Let’s hope Zoran can edit the 2 together and use his audio source.
Recorded by: Josh Parten Transfer by: Shayne Stacy Equipment used: Consumer DV camcorder firewire into Dell workstation
I was going to post an IGD video today but there appears to be an audio synch issue. Odd. Anyway, here is one of the other BGG videos from Mike Parisi’s collection. They had Billy Haggard on guitar, Mike Parisi on drums, and Nino Luna on Bass. They played a mix of covers and originals. Billy also achieved recognition as the kid from the mattress commercials who would say “tell ’em Billy sent ya!”. Camera does not move, so it is a better listen than a watch.
Recorded by: The band Transfer by: Shayne Stacy Equipment used: Panasonic AG-1960 – Datavideo TBC1000 – Tevion USB Adapter — Virtualdub Enhanced (degrain) in Adobe Premiere Elements and Neat Video
We met Gary when my friends’ band (The Boon) went to Louder Than You Think studios in Stockton to record their “A Swell Revenge” demo. I think that they chose LTYT at the recommendation of Scott K (Spiral Stairs)- Scott worked with Mike Yoas for a stretch in the late 80s. It wasn’t the first time that I had been in a studio, but it was definitely the first time I met an engineer like Gary. I remember knocking on the door to his home studio and knocking with no answer… then after about 15 minutes, he answered the door. “Sorry, I was sleeping”. Drink in hand during the session, talking about Scott and his new band called Pavement (who at the time had just been a studio project and we had not even heard them) and talking about classic rock. He was unforgettable, if my brain can remember these small details, 30+ years later. Anyway, on to the video. My DAT audio recording of the Cattle Club from 5/19/92 has been well circulated for 30 years.. but this one has never been shared. In fact, I had no idea that this much footage survived! I took my video camera to the Kennel Club show the night after Cattle, and we were blown away. The place was packed for Pavement! It was unreal- Slanted and Enchanted was released 1 month before and they were relatively unknown. A favorable cover story in SF Weekly packed the place- it was stunning to see all these people- where did they come from? It was an indication of things to come I guess. Since I was up until 2-3am the night before (cattle shows ran late) and woke up at 7ish for work, I was deliriously tired… and that is the excuse I am using for plugging in my mic and not turning it on.. so this footage is slient. Audio from this show never turned up either. To add further insult to injury, I ended up recording my sister’s softball game over part of the show. They played about 90min! R.I.P. Gary. What a character.
Recorded by: Shayne Stacy Equipment used: Aiwa CV-80 camera and Sony ECM-909 (powered off) Transfer equipment: Sony EV-S2000 – Datavideo TBC1000 – Tevion USB Adapter — Virtualdub Enhanced (brightness/degrain) in Adobe Premiere Elements and Neat Video
Equipment used: Aiwa CV80 & Sony ECM909 mic. All songs credited to Camilo Gonzalez have been edited out of this video, so no copyright claims from Camilo are relevant here.
I debated whether to do the enhance/audio/video synch on this one, but the degrain worked so well I figured what the hell. The reason I waffled was because of the soundboard tape- this is the strangest board tape I have ever heard. The mix is all over the place, and about halfway through the set, the guitar gets so loud that it bleeds over everything else. I cut the audio from the show into 4 pieces so I could rebalance the mix differently when the mix changed. There is about a 10min spot where side “A” of my board tape ended and the tape flip didn’t happen (from 51:00 to 60:00ish). It sounds funny at times (especially in the 2nd half of the set, I really had to push the rebalance) but it was the best I could do. Huge thanks to Kingbean for synching all of the little pieces together.
Recorded by: Shayne Stacy Video Equipment used: Aiwa CV-80 and Sony ECM-909 mic Audio Equipment used: Marantz PMD-430 through soundboard Video enhancements in Adobe Premiere/Neat Video Audio rebalance in Izotope rx7 Audio/Video synch by kingbean
I’m late to post today, but trust me, this is one to watch. The video was pretty well- lit so all I had to do was degrain/denoise and it came out great. The audio is fantastic- there was this guy in SF named Adam Blinn who would plug a mixer into the soundboard and remix the show live and this one sounds amazing. I tried to reconnect with him or a couple years after that and eventually lost contact. I wonder where he is now… Anyway, enjoy. Between the performance and the audio and video quality, this is probably the best video I have seen of the early days.
Recorded by: Shayne Stacy Equipment used: Aiwa CV-80 (Video), Marantz PMD430 (Audio) Enhanced with Adobe Premiere Elements/Neat Video Synch by King Bean Audio mix by Adam Blinn
I need to re-do that Robyn Hitchcock video, so let’s put up another video. This one is from my collection and I taped it back in 1991. There are 2 separate back stories to this one:
I was a big fan of the band. I filmed them twice in 1988 and wanted to see them again. The Kennel was pretty risky to do by yourself- there was an unlit park that was super sketchy at night that you had to walk by after parking. So I made a deal with my friend John Conley- I will go to Buffalo Tom on 2/13 (I had never heard of them at the time) and he would go to MCM and the monster on 2/20. He wasn’t a fan of MCM and the band played for TWO HOURS! Haha, sorry John.
The second piece of this was due to me being comically unaware. I have been a fan of the Zeros for a long time and was super stoked to video them at the Cafe recently. I became friends with Hector Penalosa through that, and we have been in touch on and off since then. Hector recently shared a pic of MCM and the Monster from the 90s online and he is in the pic. I am thinking “hm. I wonder why Hector is hanging with MCM”. I then check the band members and HE WAS IN THE BAND. DERP. I never connected the dots. I knew Gary and Miles but the rest of the guys were kind of a mystery.
Anyway, this one is for Hector and the band. Cool to see that there is still interest after all these years. Darla Records (yes, the indie pop label) released a CD of MCM’s a couple years ago… and John Conley’s band Holiday Flyer was on Darla. And that’s how you connect the dots, 35 years later.
Recorded by: Shayne Stacy Equipment used: Aiwa CV-80 and Sony ECM909 mic Transfer Equipment: Equipment used: Sony EV-S2000- Datavideo TBC1000 – ATI TV Wonder 600 — Virtualdub Enhance (brightness/contrast and noise reduction) in Adobe Premiere / Neat Video
Thanks to John Conley- he introduced me to Buffalo Tom by taking me to this show, and they ended up being one of my favorite bands. This video is DARK, but they intended it to be dark as there was a psych light show happening behind them. I can ask my friend Jim Mclain to brighten this, but I kinda like it as is.
So, remember that ultra-dark video of Buffalo Tom that I posted a few months ago? Well, Jim McLain came by last weekend and helped me get started on improving the brightness and contrast of my old videos- thanks Jim! A LOT of my old stuff will now be posted, or re-posted and you’ll actually be able to see them!
Recorded by: Shayne Stacy
Equipment Used: Aiwa CV-80 & Sony ECM909 mic
Post Production by Shayne: Adobe Premiere Elements 2018 & Neat Video Noise Reduction to brighten/contrast and denoise.