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Roger Waters- Golden 1 Center, Sacramento Ca 9/20/22 4K UHD Multicam w/DPA 4061 Audio

OK everyone. Here is a fun one. Waters posts from this tour have been getting takedown notices and copyright strikes issued. So, in comes my friend “frenchonionsoupandkittylitter” to secretly host this one!
I really wanted to go to this show, but I wasn’t going to pay arena prices for tickets. Luckily, prices dropped on day of show and I snagged a nice ticket (lower level, row J?) for 50 bucks. Then I discovered that a taping friend (Tyler Jones) also filmed the set from the other side of the arena. They were a huge pain in the ass to synch and edit (thanks and sorry Tromster), but we made it work! Enjoy.

Recorded by: Shayne Stacy and Tyler Jones
Equipment: Panasonic Lumix ZS-200, Panasonic Lumix ZS-100, DPA 4061 mics and church audio preamp into Sony PCM-A10
Enhance (degrain) in adobe premiere elements/neat video
Edit by tromster

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CH3- Cafe Colonial, Sacramento Ca. 9/17/22 4K UHD Multicam with Multitrack Audio Entire Fear of Life

This set totally floored me- I had never seen CH3 before and they kicked ass. I wasn’t expecting so much energy from a 40 year old band- I’ll have whatever they are having!
They do the entire Fear of Life album, front to back to kick off the show. Special appearance by Chris Shary on backing vocals for You Make Me Feel Cheap.
Thanks to Mike for giving permission to film, and thanks as always to Tromster, Matt(Cafe) and Anonymous for their help.

Recorded by: Shayne Stacy
Equipment: Canon HFG60, Gopro Hero Black 7 x3.
Multitrack mix by Anonymous
Edit by Tromster

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Circle Jerks- Mohawk, Austin Tx 9/6/22 Audio only DPA4061 Mics

The very last post of the September Texas Tour is finally here, so you can finally be relieved of me going on and on about it. I had a flight out pretty early the next morning, so I was up at 6 or 7am walking to my car. I check my phone, and my flight has been cancelled. I had to scramble and get an indirect flight that landed me in Sac about 6 hours later than expected. So, I guess that southwest was up to shenanigans even before Christmas.
I was able to get pretty close to the PA this time, so this one sounds a lot better than night 1 at the mohawk. Actually, this is probably the best quality CJ recording of the tour.
The venue is awesome, everyone in Austin should make this place their main hangout. Great people, cheap drinks, excellent bands.

Recorded by: Shayne Stacy
Equipment used: DPA4061 mics, Church Audio Preamp, Sony PCM-M10
EQ in Sony Sound Forge

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Negative Approach- Mohawk, Austin Tx. 9/6/22 4K UHD Multicam with Matrix Audio John Brannon

Man, that is awful news about DH Peligro. I did not know him, but I was lucky enough to have a camera/video pass to a fest they played. He & East Bay Ray were the highlights of that set, for sure. The video is on Sacramento Music Archive if you want to see it, not gonna push it on anyone.
Anyway, here is another one of the multicamera shots I did at the Mohawk- the tour played 2 nights here and this was the 2nd night, and the last night of the NA/7 Seconds/CJ tour. Man, I love this venue and the people who work there. Just a great place and a perfect place for my video setup.
NA were so awesome on this tour- I don’t see how Brannon can do that type of vocal every night on tour. My voice was gone, just trying to talk to people during that run.
Huge thanks to everyone who helped with the edit.

Recorded by: Shayne Stacy
Equipment used: Canon HF G50 (Balcony mount)
Panasonic Lumix GH5S w/ Lumix G Vario 14-140mm, F3.5-5.6 Power O.I.S. Lens
3x Gopro Hero 7 Black

Audio equipment: DPA4061 and Church Audio Preamp; Rode Videomic Pro Stereo; Sony PCM-M10 through the soundboard

Audio matrix by Jim Mclain
Edit by Tromster

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Circle Jerks- Mohawk, Austin Tx. 9/5/22 Audio Only DPA4061 mics incomplete

After 7 Seconds’ GREAT set (best of the Texas tour in my opinion), I had to get to the stage and tear down all of my gopros and the stands, and in the process I managed to misplace my monopod. Thankfully, it turned up the next day- that monopod ain’t cheap! I saw Kevin and Bobby out on the sidewalk outside of the venue, so I hung out and talked to them for a while after the show. By the time I went back in, Circle Jerks were already about halfway through their set and it was super packed in there so I could not get close enough to the PA main to make it sound good. Here’s what I got. It’s not bad.

Recorded by: Shayne Stacy
Equipment used: DPA4061 mics, Church Audio preamp, Sony PCM-M10
EQ and volume boost in Sony Sound Forge 10

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7 Seconds- Mohawk, Austin Tx. 9/6/22 6 camera 4k Multicam with Matrix audio Kevin Hardcore

I got so busy yesterday that I did not have time to post this. Even though we are on Mediocre Monday, this one is far from mediocre. I don’t typically enjoy my own videos- I see my mistakes and I can’t watch. This is one where everything came out really well. We also added an audience gopro camera which gives you a good view of the pit. Jim’s mix of the 3 audio sources (DPA Mics, Rode Mic and board mix) make it sounds like an official live album. Tromster’s edit came out nice, 7 Seconds is one of his favorite bands. Well done on all fronts.

Recorded by: Shayne Stacy
Equipment used: Canon HF G50 (Balcony mount)
Panasonic Lumix GH5S w/ Lumix G Vario 14-140mm, F3.5-5.6 Power O.I.S. Lens
3x Gopro Hero 7 Black

Audio equipment: DPA4061 and Church Audio Preamp; Rode Videomic Pro Stereo; Sony PCM-M10 through the soundboard

Audio matrix by Jim Mclain
Edit by Tromster

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7 Seconds- Mohawk, Austin Tx. 9/5/22 5camera 4k Multicam with Matrix audio Kevin Hardcore

Here is 7 Seconds’ set from the first night at Mohawk. This is my favorite set of the tour- they did “Trust”, which was a rarity. Also, some things never change- the band had to stop in the middle of “here we go again” because people were fighting. It’s like these dudes don’t even listen to the lyrics.
These mohawk shows are the best shows we have ever filmed and edited- so proud of these, and thankful to Jim McLain and Tromster for the help. I love that angle behind Sammy where you can see the sold out crowd watching and singing along. So great.

Recorded by: Shayne Stacy
Equipment used: Canon HF G50 (Balcony mount)
Panasonic Lumix GH5S w/ Lumix G Vario 14-140mm, F3.5-5.6 Power O.I.S. Lens
3x Gopro Hero 7 Black

Audio equipment: DPA4061 and Church Audio Preamp; Rode Videomic Pro Stereo; Sony PCM-M10 through the soundboard

Audio matrix by Jim Mclain
Edit by Tromster

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Negative Approach- Mohawk, Austin Tx. 9/5/22 5camera 4k Multicam with Matrix audio

About a month ago, I followed the end of the Circle Jerks/7 Seconds/Negative Approach tour through all 5 dates in Texas. Man, that was a lot of driving. Texas is huge. It was totally worth it- everyone that worked for the bands and venues were cool. It was a blast.
Anyway, here is the first multicam edit from that run of shows. The Mohawk in Austin was by far the best venue of the tour in my opinion- everyone who works there was super nice. It was really great for video as well. Since Negative Approach started their set during daylight hours, the quality is even better than usual. The audio turned out great with the help of Jim McLain’s mix of 3 different sources. Tromster clearly put a lot of effort into the edits- thanks my friend. Thanks to the bands and venues for allowing me to do this. Now, if someone can share this with John Brannon, that would be cool. I don’t know how to contact him.

Recorded by: Shayne Stacy
Equipment used: Canon HF G50 (Balcony mount)
Panasonic Lumix GH5S w/ Lumix G Vario 14-140mm, F3.5-5.6 Power O.I.S. Lens
3x Gopro Hero 7 Black

Audio equipment: DPA4061 and Church Audio Preamp; Rode Videomic Pro Stereo; Sony PCM-M10 through the soundboard

Audio matrix by Jim Mclain
Edit by Tromster

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7 Seconds- White Oak Music Hall, Houston Tx 9/3/22 4K UHD Multicamera with Matrix Audio Hardcore

TLDR: Guitar comes in soon- give it a minute!
Wow, I am kinda shocked as to how well this one came out. Like I mentioned in other posts, EVERYTHING went wrong on this one. Getting to Houston was a nightmare- there was a monsoon-like storm and there was no visibility on the freeway. I get there late during soundcheck and the venue is very nice– the nicest one of the tour and the staff was nice. I lost my camera pole mount in either Dallas or San Antonio and did not realize it until I looked in my bag to use it here. So, I tried strapping the monopod to a post with bungee cords which caused too much vibration to use.
Then, early in the set, my gopro on Bobby freezes up. That has never happened before. So, this 4 camera video changes to 3. That issue caused me to panic-buy another gopro in Austin and relegate this one to backup status. Plus, my GH5S camerawork is super shaky because I was holding it by hand and my bionically repaired right shoulder was not having it.
So, like I said, it has no business being this good. Thanks to Agelos (Tromster) for saving the day.

Recorded by: Shayne Stacy
Equipment used: Panasonic Lumix GH5S w/ Lumix G Vario 14-140mm, F3.5-5.6 Power O.I.S. Lens
3x Gopro Hero 7 Black

Audio equipment: Sony PCM-M10 through the soundboard
Rebalance by Shayne in Izotope Rx8
Edit by Tromster

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Circle Jerks- White Oak Music Hall, Houston Tx 9/3/22 Audio Only DPA4061 Mics

Oh man, work is getting like it was a couple years ago- 8.5 hours of meetings today- 5 hours down so far. It’s going to make these daily posts challenging… and of course, when I need to create posts as quickly as possible, Youtube decides to stop processing my audio posts. After having this one bonk out about 5 times, I finally had to do it the old/hard way. I guess I’ll be working with YT tech support soon.
Anyway, here is the audio from the Circle Jerks Houston show. Video was not allowed, so I went ahead and used the ol’ DPA mics to get this one. This was the nicest venue of the tour and a sharp contrast from the (awesome) warehouse style San Antonio club. Meh, give me $7 beers and roll up doors over this fancy place and $15 beers. Anyway, it sounds pretty good because of the pristine sound system. I guess there are some benefits from going to a nice venue…

Recorded by: Shayne Stacy
Equipment used: DPA4061 Mics, Church Audio Preamp, Sony PCM-M10 digital recorder.
EQ (bass roloff) in Sony Sound Forge 10

Audio Live Concert