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Negative Approach- Mohawk, Austin Tx. 9/6/22 4K UHD Multicam with Matrix Audio John Brannon

Man, that is awful news about DH Peligro. I did not know him, but I was lucky enough to have a camera/video pass to a fest they played. He & East Bay Ray were the highlights of that set, for sure. The video is on Sacramento Music Archive if you want to see it, not gonna push it on anyone.
Anyway, here is another one of the multicamera shots I did at the Mohawk- the tour played 2 nights here and this was the 2nd night, and the last night of the NA/7 Seconds/CJ tour. Man, I love this venue and the people who work there. Just a great place and a perfect place for my video setup.
NA were so awesome on this tour- I don’t see how Brannon can do that type of vocal every night on tour. My voice was gone, just trying to talk to people during that run.
Huge thanks to everyone who helped with the edit.

Recorded by: Shayne Stacy
Equipment used: Canon HF G50 (Balcony mount)
Panasonic Lumix GH5S w/ Lumix G Vario 14-140mm, F3.5-5.6 Power O.I.S. Lens
3x Gopro Hero 7 Black

Audio equipment: DPA4061 and Church Audio Preamp; Rode Videomic Pro Stereo; Sony PCM-M10 through the soundboard

Audio matrix by Jim Mclain
Edit by Tromster

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Circle Jerks- Mohawk, Austin Tx 9/6/22 Audio only DPA4061 Mics

The very last post of the September Texas Tour is finally here, so you can finally be relieved of me going on and on about it. I had a flight out pretty early the next morning, so I was up at 6 or 7am walking to my car. I check my phone, and my flight has been cancelled. I had to scramble and get an indirect flight that landed me in Sac about 6 hours later than expected. So, I guess that southwest was up to shenanigans even before Christmas.
I was able to get pretty close to the PA this time, so this one sounds a lot better than night 1 at the mohawk. Actually, this is probably the best quality CJ recording of the tour.
The venue is awesome, everyone in Austin should make this place their main hangout. Great people, cheap drinks, excellent bands.

Recorded by: Shayne Stacy
Equipment used: DPA4061 mics, Church Audio Preamp, Sony PCM-M10
EQ in Sony Sound Forge

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Negative Approach- Mohawk, Austin Tx. 9/5/22 5camera 4k Multicam with Matrix audio

About a month ago, I followed the end of the Circle Jerks/7 Seconds/Negative Approach tour through all 5 dates in Texas. Man, that was a lot of driving. Texas is huge. It was totally worth it- everyone that worked for the bands and venues were cool. It was a blast.
Anyway, here is the first multicam edit from that run of shows. The Mohawk in Austin was by far the best venue of the tour in my opinion- everyone who works there was super nice. It was really great for video as well. Since Negative Approach started their set during daylight hours, the quality is even better than usual. The audio turned out great with the help of Jim McLain’s mix of 3 different sources. Tromster clearly put a lot of effort into the edits- thanks my friend. Thanks to the bands and venues for allowing me to do this. Now, if someone can share this with John Brannon, that would be cool. I don’t know how to contact him.

Recorded by: Shayne Stacy
Equipment used: Canon HF G50 (Balcony mount)
Panasonic Lumix GH5S w/ Lumix G Vario 14-140mm, F3.5-5.6 Power O.I.S. Lens
3x Gopro Hero 7 Black

Audio equipment: DPA4061 and Church Audio Preamp; Rode Videomic Pro Stereo; Sony PCM-M10 through the soundboard

Audio matrix by Jim Mclain
Edit by Tromster

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7 Seconds- Mohawk, Austin Tx. 9/5/22 5camera 4k Multicam with Matrix audio Kevin Hardcore

Here is 7 Seconds’ set from the first night at Mohawk. This is my favorite set of the tour- they did “Trust”, which was a rarity. Also, some things never change- the band had to stop in the middle of “here we go again” because people were fighting. It’s like these dudes don’t even listen to the lyrics.
These mohawk shows are the best shows we have ever filmed and edited- so proud of these, and thankful to Jim McLain and Tromster for the help. I love that angle behind Sammy where you can see the sold out crowd watching and singing along. So great.

Recorded by: Shayne Stacy
Equipment used: Canon HF G50 (Balcony mount)
Panasonic Lumix GH5S w/ Lumix G Vario 14-140mm, F3.5-5.6 Power O.I.S. Lens
3x Gopro Hero 7 Black

Audio equipment: DPA4061 and Church Audio Preamp; Rode Videomic Pro Stereo; Sony PCM-M10 through the soundboard

Audio matrix by Jim Mclain
Edit by Tromster

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7 Seconds- Mohawk, Austin Tx. 9/6/22 6 camera 4k Multicam with Matrix audio Kevin Hardcore

I got so busy yesterday that I did not have time to post this. Even though we are on Mediocre Monday, this one is far from mediocre. I don’t typically enjoy my own videos- I see my mistakes and I can’t watch. This is one where everything came out really well. We also added an audience gopro camera which gives you a good view of the pit. Jim’s mix of the 3 audio sources (DPA Mics, Rode Mic and board mix) make it sounds like an official live album. Tromster’s edit came out nice, 7 Seconds is one of his favorite bands. Well done on all fronts.

Recorded by: Shayne Stacy
Equipment used: Canon HF G50 (Balcony mount)
Panasonic Lumix GH5S w/ Lumix G Vario 14-140mm, F3.5-5.6 Power O.I.S. Lens
3x Gopro Hero 7 Black

Audio equipment: DPA4061 and Church Audio Preamp; Rode Videomic Pro Stereo; Sony PCM-M10 through the soundboard

Audio matrix by Jim Mclain
Edit by Tromster

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Circle Jerks- Mohawk, Austin Tx. 9/5/22 Audio Only DPA4061 mics incomplete

After 7 Seconds’ GREAT set (best of the Texas tour in my opinion), I had to get to the stage and tear down all of my gopros and the stands, and in the process I managed to misplace my monopod. Thankfully, it turned up the next day- that monopod ain’t cheap! I saw Kevin and Bobby out on the sidewalk outside of the venue, so I hung out and talked to them for a while after the show. By the time I went back in, Circle Jerks were already about halfway through their set and it was super packed in there so I could not get close enough to the PA main to make it sound good. Here’s what I got. It’s not bad.

Recorded by: Shayne Stacy
Equipment used: DPA4061 mics, Church Audio preamp, Sony PCM-M10
EQ and volume boost in Sony Sound Forge 10

Audio Live Concert